[It'd Be A Shame To Call It Hip-Hop ~ Raury - Indigo Child, Debut Album Review]

Indigo Child is the debut Album from the up and coming artist Raury, of East Atlanta. A city synonymous with great music, one of which that has given us artists such as Outkast (aka Andre 3000 & Big Boi), The Black Crowes, Mary Lou Williams, and Gladys Knight. Shining in the footsteps of those who came before him, Raury has made many waves within the music industry and is about to make a whole lot more.

Indigo child is many things, ambitious, refreshingly creative, sophisticated, and well produced. It’s like a breath of fresh air for what is to be the next generation of music.
Raury has certainly earned his praise, not only showcasing his talents; he has also demonstrated his versatility, and incredible range. It would be a shame to simply label this album as hip hop, as it is clearly much more. When you listen to this album, a sophisticated and well-layered achievement, you will become immersed in tones of folk, soul, jazz, gospel, rock, light rock, psych-rock, and neo soul, along with hip hop.

The first track War pt. 1, is like an introduction, a pep-talk as such, before the big game; it’s a build up, getting the listener ready for what is to come and leaves us eager and ready to go for the next song. The album itself is reminiscent of Frank Ocean’s mix-tape - Nostalgia, Ultra, with a number of its tracks being not so much music themselves, but rather substance for the album to connect. Especially the tracks What Goes Up, Rest, Dreaducation, and Sweet N Sour. These tracks are all strongly reminiscent of songs like Street Fighter and Goldeneye from Nostalgia, Ultra, but they also achieve something else.

As I said these tracks are not necessarily music; rather they are recordings of discussions and arguments between, what we can assume is Raury and his Mother. The most important track in my opinion is Sweet N Sour, when Raury’s mother is voicing her concerns for his future and her opinion on what really matters.

This track is important for many reasons and if any, it can be defined by two. It comes from his mother’s words; there is a sense of nostalgia created, drawn from his mother’s words, they resonate with the listener and allow you to relate to what she is saying.

“I’m still the parent and I still have a right to my opinion, and when it all goes down ain’t nobodies fuckin’ opinion gonna count but mine”

I mean who hasn’t been in an argument or discussion with their mother relating to their future. This sentiment not only creates a sense of honesty, but it creates a window into Raury’s life, yet at the same time a link to many of our own, casting the listener back to days gone by to take look at their own life and reminisce.

This overall sense of nostalgia is furthermore emphasized by tracks such as Chariot of Fire and Seven Suns, which have a strong 80/90’s feel about them. The entire album resonates with this, but also communicates what comes next. ‘War pt. 2’?

Indigo Child explores a lot, with smooth acoustic-guitar, accentuating harmonic combinations, watery and at times moody piano solos, strong vocals, and occasionally obscure guitar riffs. With dramatic and in-your-face one-liners, with a rift that’s damn tasty, the album delivers. Seriously it does, for 17-years of age, Raury has done well, and has set the bar high.

The future is bright for this young musician; I look forward to what he gives us next.

Rating  - 4 out of 5







Article By. Bradley Thomson